Caryll ann ekelund biography examples
When I was little I came across the 1940 SHIRLEY TEMPLE movie THE BLUE BIRD several times on television. It's sort of the poor man's THE WIZARD OF OZ with SHIRLEY playing the part of a girl named Mytyl who along with her brother Tytyl embarks on a journey through the past and future searching for happiness in the form of the title bird. The children are aided by their dog Tylo and their cat Tylette, who thanks to some fairy magic, have taken human form.
Based on a 1908 play by MAURICE MAETERLINCK, there's plenty to find alarming about THE BLUE BIRD. The children's journey begins in a vast graveyard, their dead grandparents show up to pelt them with guilt, trees transform into vigilantes and finally they end up in some weird limbo place where unborn children in togas howl and cry about how short their time on Earth will be. Personally I was unmoved by any and all of the insanity on display except the unfortunate and fiery death of my favorite character, the cat lady Tylette.
As I watched THE BLUE BIRD again recently as an adult I can see that much of it flew over my head as a kid, most notably the fact that Tylette the cat is clearly drawn as a sinister, mischievous presence and that her demise is meant to be somewhat deserved. Was there something wrong with me as a kid that I would automatically gravitate toward this malevolent malcontent? Before you judge, look at how awesome she is…
To be honest, even as an adult I have sympathy for this devil. She knows that if the children were to discover the blue bird of happiness that she would have to revert back to her former self and remain a "dumb slave to man" forever. So what if a couple tykes have to die in order for her to remain master of her own fate? Let's face it; with names like Mytyl and Tytyl, those kids were bound for hard times anyway.
Tylette is brought to life by Oscar-winner GALE SONDERGAARD, who would go on to appear in several UNIVERSAL horror films like THE BLACK The Blue Bird was the most expensive of all Shirley’s pictures — $1.5 million, she tells us — and it took a terrible bath at the box office, both in its original road-show engagements in New York, Detroit and San Francisco, and after going into general release at Easter. This was not, as legend would have it, because it suffered by comparison with The Wizard of Oz, but simply because The Blue Bird‘s time had long since passed. Even the 1918 silent version, lavishly produced within a decade of the play’s premiere, was a flop. (The curse repeated itself yet again in 1976, when a U.S./Soviet co-production directed by George Cukor sank like a rock. Some people never learn.) The idea that The Blue Bird suffered by comparison with The Wizard of Oz in 1940 basically springs from the fact that it suffers by that same comparison today. Almost everyone who sees The Blue Bird nowadays can’t help seeing similarities to Oz, and of course Blue Bird can only be found wanting. There is, for starters, the black-and-white prologue, with the switch to Technicolor when the real adventure begins (although The Blue Bird never returns to black-and-white; in keeping with Mytyl’s improved outlook, the Technicolor stays to the end). Also, there’s the premise of the fantasy/dream and the look-for-happiness-in-your-own-back-yard moral. Which is ironic, considering that those elements are not found in L. Frank Baum but were swiped by Noel Langley, Florence Ryerson and Edgar Allan Woolf from Maeterlinck’s play and grafted onto their script for Oz (where they did not belong). In a real sense, MGM’s Wizard of Oz was an imitation of The Blue Bird, and not the other way around. If viewers today were as familiar with Maeterlinck’s dreadful play as they are with Oz, The Blue Bird‘s virtues would stand out more clearly. Ernest Pascal greatly improved on the original, ti 1940 film by Walter Lang The Blue Bird is a 1940 American fantasy film directed by Walter Lang. The screenplay by Walter Bullock was adapted from the 1908 play of the same name by Maurice Maeterlinck. Intended as 20th Century Fox's answer to MGM's The Wizard of Oz, which had been released the previous year, it was filmed in Technicolor and tells the story of a disagreeable young girl (played by Shirley Temple) and her search for happiness. Despite being a box office flop and losing money, the film was nominated for two Academy Awards. It is available on both VHS and DVD. The setting is Germany during the Napoleonic Wars. Mytyl, the grumpy daughter of a wood cutter, finds a unique bird in the royal forest and selfishly refuses to give it to her sick friend Angela. Her mother and father are mortified at Mytyl's behavior. That evening, her father is called on to report for military duty the next morning. Mytyl is visited in a dream by a fairy named Berylune who sends her and her brother Tyltyl to search for the Blue Bird of Happiness. To accompany them, the fairy magically transforms their dog Tylo, cat Tylette and lantern into human form. The children have a number of adventures: they visit the past (meeting their dead grandparents who come to life because they are being remembered), experience the life of luxury, escape a scary fire in the forest (caused by Tylette's lies to the trees in a treacherous attempt to make the children quit their journey), and see the future, a land of yet-to-be born children. Mytyl awakes as a kinder and gentler girl who has learned to appreciate her home and family. The following morning, her father receives word that a truce has been declared and he no longer must fight in the war. Mytyl is inspired to give the unique bird, now revealed to be the eponymous Blue Bird that she had sought throughout her journey, to Angela. .
Jim Lane's Cinedrome
The Blue Bird (1940 film)
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