Ibn al satir biography of martin garrix

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SPHERE

First published in Great Britain in 2021 by Sphere Copyright © Avicii AB, 2021 Translation © Bradley Harmon, 2021 The moral right of the author has been asserted. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. A CIP catalogue record for this book is available from the British Library. Hardback ISBN 978-0-7515-7899-7 Trade paperback format ISBN 978-0-7515-7900-0 Sphere An imprint of Little, Brown Book Group Carmelite House 50 Victoria Embankment London EC4Y 0DZ An Hachette UK Company www.hachette.co.uk www.littlebrown.co.uk

CONTENTS Tim: The Official Biography of Avicii Sources Cited Works Other Sources Image Sources Cited Songs Acknowledgements Picture Sections

emerged from the bushes. Grey and shaggy, as if they had just fought a battle deep among the pine trees. It didn’t take long before a falcon hovered silently in the sky, stretched its wings against the wind and waited for the opportunity to dive down towards its victims. He saw so much from up here. The scent of onions and rosemary rose through the air – the chef must have begun to prepare the evening’s meal – and mingled with a whiff of the lemon trees standing down in the grove. From the sprinkler came a quiet hiss, slowly showering the palm lilies by the pool. It had been three weeks and Tim Bergling had started taking in his surroundings again. He was sitting on the roof of the rehab clinic, in a deckchair that the care staff had helped him to hoist up on to the red tiles. Through the haze out in the Mediterranean, he could make out the island in the distance, the one that people w

After wowing Venice in 2018 with The Favourite, leading Greek Weird Wave exponent Yorgos Lanthimos reteams with screenwriter Tony McNamara and Emma Stone to adapt Alasdair Gray’s 1992 cult novel... The results make Poor Things not only the strongest film of the Venice Film Festival so far, but also one of this year’s very best.

When eccentric and grotesquely scarred scientist Dr. Godwin Baxter (Willem Dafoe) takes his student Max McCandles (Rami Yousef) aside after class one day, he asks the fresh-faced apprentice if he’s interested in a secret project of his. 

Little does he know quite how unorthodox Baxter’s methods have become...

The confidential experiment in question is Bella (Emma Stone), Dr. Baxter’s creation. She is a young woman brought back to life after a mysterious suicide attempt, a blank slate unmoored by social niceties or the prejudices of her times. The specificities of her inner condition shall not be spoiled here, but safe to say that Bella’s body and mind are not yet synchronized. She is learning, and Baxter needs some assistance. 

Confined to their house, she throws tantrums, develops language and motor skills, and explores her increasingly insatiable sexual yearnings.

“She grabbed my hairy business!” exclaims housekeeper Mrs. Prim (Vicki Pepperdine).

Indeed she did, and with the unveiled joys of masturbation come an increasing curiosity for all things human... And all that needs a little push, which comes in the form of Duncan Wedderburn (Mark Ruffalo), a rakish moustachioed solicitor who recognizes Bella’s expanding hunger for the outside world. He wastes no time in whisking her away to Lisbon, Alexandria and Paris – with the begrudging avail of the father figure she calls ‘God’, who realises he cannot keep Bella cooped up any longer.

What starts as an erotic escapade – filled with “furious jumping” – sees B