Michael schmidt photography biography examples

  • A project of epic scope,
  • Michael Schmidt has been taking

  • Haus der Kunst, Munich

    Michael Schmidt
    Grey as Colour
    Photographs until

    With the exhibition of photographs by Michael Schmidt, the Haus der Kunst presents another formative position in contemporary photography. Works by Bernd and Hilla Becher, Robert Adams, Lee Friedlander, Andreas Gursky and William Eggleston have already been shown as part of this exhibition series.

    With original photographs &#;Grey as Colour&#; is the most extensive overview of Michael Schmidt’s work to date. A third of the pieces are new works or . like &#;89/90&#;, which only existed as working proofs until now . have been edited as a series for the exhibit.

    Michael Schmidt


    Michael Schmidt
    o. T., aus Ihme-Zentrum, Hannover
    © Michael Schmidt
    Courtesy Galerie Nordenhake

    On view will be the series Portraits (); Stadtlandschaft (Urban Landscapes) (); Berlin Wedding (); Berlin Wedding. Menschen (Berlin Wedding. People) (); Berlin, Stadtbilder (Berlin, Urban Images) (); Innenaufnahmen (Interior Views) (); Berlin nach 45 (Berlin after 45) (); Waffenruhe (Ceasefire) (); Selbst (Self) (); 89/90 (); Architektur (Architecture) (); Ein-heit (Unity) (); Ihme-Zentrum (Ihme Center) (); Frauen (Women); (); Irgendwo (Somewhere) () and Meer (Sea) (). The series will not be presented chronologically but in a network pattern.

    Michael Schmidt has been taking photographs since , analogue and in black-andwhite, and with an unusually broad range of grey tones. &#;For me black and white are always the darkest grey and the lightest grey.&#; (Michael Schmidt ). Micheal Schmidt’s images lack all superficial attraction; they are without incident and as far removed from the photographic concept of the decisive moment as possible; they are neither striking nor narrative. For decades Michael Schmidt has abstained from making composition samples that prove to be exceptional single frame images. He prefers the series, in which the artistic expression is not exhausted in the individual image, but

    My second post on this blog was a fairly brief one about Berlin photographer Michael Schmidt. It's quite hard to find a lot of information about Schmidt online and the same goes for his pictures - and yet his influence on many contemporary photographers is significant - among his pupils are Andreas Gursky and Ulrich Gorlich - and his working colleagues include Lewis Baltz, William Eggleston, Paul Graham and Robert Adams. Basically, you need to get the books or go to the shows.


    Then other day I saw a refence to a rare N. American exhibition (he has actually had two solo shows at MoMA in and ) of his work at Mitchell-Innes & Nash in NY - which also has a small selection of pictures online.


    "Schmidt arrived at a strategy of disseminating his work early on. He photographs large quantities of images without a specific project in mind. These images are then organized into groups with socially evocative titles, such as Ausländische Mitbürger (Foreign Co-citizens, ) or Berlin, Stadtbilder (Berlin, Images of the City, ). He exhibits the work in clusters or groupings intended to draw relationships among the images, often in a public context, and then, circumstances permitting, publishes a book of the images. Unlike many artist monographs, Schmidt&#;s books are not intended to catalog discrete images but rather to interconnect images dependant on those associations, mirroring his process of hanging photographs on the wall. The books tend to be light on text&#;often having none other than the title&#;and are truly more artist book than monograph, despite mass production by major publishers



    Schmidt continued to explore a landscape and a city fraught with history in his pivotal work Ein-heit (U-ni-ty, &#;94), shown at the Museum of Modern Art, New York, in and published in the same year. The importance of fragmentation as an interpretive trope is reinforced by Schmidt&#;s dividing with hyphens a word meaning wholeness, diametric forces embodied in the very tit

    Michael Schmidt OBE FRSL is the founder and editorial and managing director of Carcanet Press Limited and the general editor of PN Review. He was until recently Professor of Poetry and convener of the Creative Writing programme in the Department of English, University of Glasgow. He has also been Writer in Residence at St John's College, Cambridge, and Visiting Fellow Commoner at Trinity College, Cambridge. He is now Professor of Poetry at the University of Manchester, editorial and managing director of Carcanet Press Ltd and folunder and general editor of PN Review.

    In he completed The Novel: A Biography, published in May , a companion volume to Lives of the Poets (). His most recent anthologies include, The Great Modern Poets, published by Quercus on National Poetry Day ; Five American Poets (including Robert Hass, James McMichael, John Matthias, John Peck, and Robert Pinsky), published by Carcanet in , New Poetries V, including 22 hitherto uncollected anglophone poets from around the world, in , and New Poetries VI, including 21 hitherto uncollected anglophone poets in ; and New Poetries VII, including 22 hitherto uncollected poets, in New Poetries VIII, edited with John McAuliffe, came out in His collection of poems The Resurrection of the Body was published in His Collected Poems appeared in and The Stories of My Life in A Very Selected Poems appeared from The Poetry Business in , and Talking to Stanley on the Telephone in

  • Born in Berlin, he was self-taught,
  • Michael S. Schmidt goes out of his way to bring sensitive news into the limelight, including matters involving executive US government officials. Despite challenges in journalism and news reporting, he has the confidence to report and unfold hidden stories.

    TABLE OF CONTENTS

    American journalist Michael S. Schmidt is a correspondent for The New York Times in Washington, DC. Michael. He is assigned to cover news regarding national security and federal law enforcement. Furthermore, Schmidt is a national security contributor for MSNBC and NBC News and one of America's best-selling authors.

    Profile summary

    Full nameMichael S. Schmidt
    GenderMale
    Famous asThe New York Times correspondent in Washington, DC
    BirthdateSeptember 23,
    Age40 years (as of July )
    Zodiac signCapricorn
    BirthplaceNyack, New York, USA
    Residence Washington, DC, and New York City, USA
    NationalityAmerican
    EthnicityJewish
    ReligionJudaism
    Height5 feet and 6 inches ( cm)
    Weight pounds (70 kg) Approx.
    Hair colorBlack
    Eye colorDark brown
    FatherJames Schmidt
    MotherRachel Schmidt
    SexualityStraight
    Marital statusMarried
    SpouseNicole Wallace
    ChildrenIsabella Sloane
    High schoolJohn Randolph Tucker High School, Virginia
    CollegeLafayette College Easton, Pennsylvania
    QualificationAB in international affairs
    ProfessionJournalist, author
    Net worth$1 million (Approx.)
    X (Twitter)@nytmike

    Michael S. Schmidt’s biography

    Michael S. Schmidt was born to a Jewish family on September 23, , in Nyack, New York. His parents are Rachel and James Schmidt.

    What is Michael S. Schmidt’s age?

    The American journalist is 40 years old as of July

    What is Michael S. Schmidt’s ethnicity?

    He is an American citizen of Jewish ethnicity.

    Michael S. Schmidt’s educational background

    Michael Schmidt attended John Randolph Tucker High