Hanne lore kohler biography of michael

Hannelore Baron (1926-1987)

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Untitled (B82028), 1982
painted metal box assemblage of metal, ink and  monotype
4 1/2 x 5 5/8 x 1 3/4 inches / 11.4 x 14.3 x 4.4 cm
signed

Untitled (B81059), 1981
box assemblage of wood, nails, fabric and ink
9 1/2 x 6 3/4 x 2 1/2 inches / 24.1 x 17.1 x 6.3 cm
signed

Untitled (B86047), 1986
box assemblage of wood, fabric, paint, and metal wire
9 x 6 3/4 x 1 1/2 inches / 22.9 x 17.1 x 3.8 cm

 

Untitled (C80086), 1980
mixed media collage with fabric, paper and ink
14 3/8 x 7 5/8 inches / 36.5 x 19.4 cm
signed

Untitled (C82317), 1982
mixed media collage with paper, ink, watercolor and monoprint
10 1/2 x 8 5/8 inches / 26.7 x 21.9 cm
signed and dated

Untitled (C86106), 1986
mixed media collage with fabric, paper and ink
10 x 8 3/4 inches / 25.4 x 22.2 cm
signed





“Everything I’ve done is a statement on the, as they say, human condition…The materials I use in the box constructions and cloth collages are gathered with great care. The reason I use old cloth and boxes is that the new materials lack the sentiment of the old, and seems too dry in an emotional sense.”[i]

Hannelore Baron (1926–1987) is celebrated for her intimate collages and assemblages that, as Michael Brenson wrote in a 1989 New York Times review, “suggest both the condition of entrapment and the possibility of release.”[ii] The compassion, anger, dissent, humor, and silence that animate her work are often rooted in her traumatic experiences as a Jewish child in Nazi Germany. However, she was often reluctant to discuss this part of her life out of concern that extensive discussion on the subject would limit the interpretive possibilities of her artwork, which were intended to be multifarious. Influenced by “ancient religious texts such as Tantric art, the illuminated pages of the Koran, and Per

Robert Schumann Prize of the City of Zwickau

German classical music award

Not to be confused with Robert Schumann Prize for Poetry and Music.

Award

Robert Schumann Prize of the City of Zwickau
Awarded for"outstanding singers, instrumentalists and ensembles as well as musicologists and musical institutions, who have rendered special credits to the care and interpretation of Schumann’s musical and literary heritage as well as the knowledge of his life."
LocationZwickau
Country
Presented byLord Mayor
Reward(s)€10,000, certificate, bronze medal
First award1964
WebsiteRobert Schumann Prize Zwickau

The Robert Schumann Prize of the City of Zwickau is a classical music award. Since 1964 it has been awarded by the Lord Mayor of Zwickau. Robert Schumann was born in Zwickau. Between 1964 and 2002 the prize was awarded annually, since 2003 biennially. The award is given to outstanding singers, instrumentalists and ensembles as well as musicologists and musical institutions, who have rendered special service (sic) to cherishing and presenting Schumann’s musical and literary heritage as well as to the knowledge of his life and works. The prize is endowed with a total of €10,000. The winners receive a certificate and a bronze medal with the portrait of Schumann, created by the sculptor Gerhard Lichtenfeld.

Jury

The jury includes:

  • the Lord Mayor of Zwickau
  • the mayor of social affairs and culture
  • a member of the Culture and Education Committee of the City of Zwickau
  • the chairman of the Robert Schumann Society Zwickau e.V.
  • the director of the Robert Schumann House

Recipients

  • 1964 Georg Eismann, Hans Storck [de], Annerose Schmidt
  • 1965 Karl Laux, Lore Fischer
  • 1966 Daniel Zhitomirsky, Dieter Zechlin
  • 1967 Olivier Alain
  • 1968 Sviatoslav Richter
  • 1969 Peter Schreier, Herbert Schulze
  • 1970 Dmitri Bashkirov, Martin Schoppe
  • 1971 Günther Leib, Tatiana Nikolay
  • Michael rosenfeld gallery artists
  • 2021

    2019

    • Ragna Schirmer - Pianist, Hildesheim
    • Janina Klassen - Musicologist, Bad Salzuflen

    2017

    • Heinz Holliger - Conductor, Oboist, Composer, Basel

    2015

    • Robert-Schumann-Research-Institute Düsseldorf

    2013

    • Jon W. Finson - Musicologist, Chapel Hill/ North Carolina
    • Ulf Wallin - Violinist, Berlin

    2011

    • András Schiff - Pianist, Florenz

    2009

    • Reinhard Kapp - Musicologist, Wien
    • Michael Struck - Musicologist, Kiel

    2007

    • Margit L. McCorkle - Musicologist, Vancouver
    • Anton Kuerti - Pianist, Toronto

    2005

    • Daniel Barenboim - Pianist and Conductor, Berlin

    2003

    • Joachim Draheim - Musicologist, Karlsruhe
    • Juliane Banse - Soprano, München

    2002

    • Alfred Brendel - Pianist, London

    2001

    • Sir John Eliot Gardiner - Conductor, London

    2000

    • Olga Loseva - Musicologist, Moskau
    • Steven Isserlis - Cellist, London

    1999

    • Altenberg Trio (Claus Christian Schuster, Amiram Ganz, Martin Hornstein) - Chamber Music Ensemble, Wien
    • Ernst Burger - Pianist and Music Author, München

    1998

    • Linda Correll Roesner - Musicologist, New York
    • Olaf Bär - Singer, Dresden

    1997

    • Nikolaus Harnoncourt - Conductor, St. Georgen i. A.

    1996

    • Nancy B. Reich - Musicologist, Hastings-on-Hudson/ New York
    • Bernhard R. Appel - Musicologist, Düsseldorf

    1995

    • Hansheinz Schneeberger - Violinist, Basel
    • Dieter-Gerhardt Worm - Conductor, Chemnitz

    1994

    • Wolfgang Sawallisch - Conductor, München/Philadelphia

    1993

    • Jozef De Beenhouwer - Pianist, Antwerpen

    1992

    • ABEGG TRIO  (Birgit Erichson, Ulrich Beetz, Gerrit Zitterbart) - Chamber Music Ensemble, Achern/Göttingen
    • Gisela Schäfer - Committee of the Robert Schumann Society of Düsseldorf, Düsseldorf

    1991

    • Joan Chissell - Musicologist, London

    1990

    • Hartmut Höll - Piano accompanist, Butzbach
    • Günther Müller - Musicologist, Glauchau

    1989

    • Pavel Egorov - Pianist, Leningrad
    • Bernard Ringeissen - Pianist, Paris

    1988

    • Albrecht Hofmann - Conductor, Zwickau

    198

      Hanne lore kohler biography of michael

  • Rosenfeld michael
  • Johanna Ey

    German art dealer (1864–1947)

    Johanna Ey (4 March 1864 – 27 August 1947) was a German art dealer during the 1920s. She became known as Mutter Ey (Mother Ey) for the nurturing support she provided to her artists, who included Max Ernst and Otto Dix.

    Biography

    Ey was born in humble circumstances in Wickrath (today a quarter of Mönchengladbach). At the age of 19 she moved to Düsseldorf. She married and had twelve children, of whom eight died young. In 1910, middle aged and divorced, she opened a bakery in the proximity of the Düsseldorf Academy of Arts. This became a popular meeting place of actors, journalists, musicians and especially painters, who appreciated her policy of granting credit to artists and students. She displayed their works in her shop windows, and became a collector of art by accepting paintings as payment.

    In 1916 she closed her café and opened a gallery on the Hindenburgwall (today Heinrich Heine avenue), where she showed works by academic painters. In the years following World War I, however, the gallery became the center of the artists of the "Junge Rheinland" (Young Rhineland) group. Ey initially decided to exhibit their art not for theoretical or economic reasons, but rather because of her personal friendships with the artists, although she quickly became an energetic proponent of modernism. Her support for her artists extended even to darning their socks, and she defended Wollheim and Dix when they were hauled into court on charges that their paintings were immoral.

    During the 1920s, she was frequently painted by the artists in her circle, notably by Dix in 1924, and in 1925 by Arthur Kaufmann, who placed her at the center of his composition Contemporaries (Düsseldorf's Intellectual Scene). According to art historian Sergiusz Michalsky, "Johanna Ey's portrait was painted more often than that of any other woman in Germany."

    With the rise to power of Hitler in 1933, nearly all th