Izaline callisters biography of christopher
20.11.2014. Already a few weeks behind us but still interesting to look back. Jazz Belgrade the celebration edition of 2014 was worthwhile. It was the 30th edition of a Jazz festival which hosted a lot of great musicians throughout the years. To celebrate it, this years edition had an exhibition of photos from the international press covering the last few years. It also had many artifacts and posters from previous editions going 30 years back in time. Like the 1971 edition when the name of the festival was Newport Jazzfestival (connecting with the famous American festival) and a line up of Duke Ellington, Miles Davis, Dizzy Gillespie, Thelonious Monk and more….
This years edition started with a show of the Max Kochetov Quartet, a Serbian Ukraine Quartet lead by Max Kochetov an excellent saxophone player. Modern jazz, good vibes and an excellent young bass player. Lots of improvisations. Good start.
Was the first concert seated with a full hall, the next concert was without seats and even more people entered the Danilo Perez concert. Nobody could get in or out. In some moments it looked like a popconcert. For me it was distracting since the quiet intermezzos in the music need a quiet place to listen and feel the music coming to you instead of trying to get a normal place to listen. But considering the concert of the Danilo Perez trio it is possible to say a few things. There was the incredible vibe of Brian Blade behind the drums, always pushing the band to a higher level. But as a whole the group sometimes seemed to be playing hasty and Perez was hitting the pianokeys hard and less subtile as he can do. It seemed as if how more people were in the room, the more the musicians turned into themselves, making less contact. I heard them playing better.
But the following artist finally made this evening a succes. In the different room upstairs there was the concert of Nils Petter Molvaer and Laurens von Oswald. In this seated room the quality of listening wa
Biography
▪ 1988 – 1991; Leader of the ‘Albanism Quartet‘ (with Michiel Borstlap, Tours in Spain, Tschoslowakia, Holland, Germany) Leoni Jansen is a Dutch singer and stage director. She started out as TV personality: anchor woman on Dutch national television for the daily Children’s News. After that she hosted various art and music programs on television and ended up with her very own television show: Jansen & Co. Wishing to devote more time to singing and the theatre she said goodbye to TV and produced a number of music theatrical productions. She has made a range of programs such as a Pyjama night in the Concertgebouw and an Opera party for children in Vredenburg and she directed theatre shows for pop bands like Room Eleven, Sensual and Giovanca. Over the past few years she has been busy, mainly creating music programs which bridge different cultures. She was, for instance, co responsible for the theatre hit: Female Factory, a show in which 13 female top stars from 10 different countries presented themselves simultaneously. A show that also has been seen in Moscow and Madrid, following a week when the Carré theatre was completely sold out. Leoni produced the series Wereldwijven, that featured a Dutch singer with a singer from a different continent. She produced the show She got game (three versions!) with amongst others Astrid Seriese, Lucretia van der Vloot, Rocq’E Harrell, Izaline Callister, Ricky Koole and Nurlaila Karim, which attracted capacity crowds throughout the country over four seasons. And she created the multicultural show Made in Holland, in response to 11 September, to be seen in Carré and in which 45 artists from 22 different cultures took over the space for one week. She sang at the wedding of prince Willem-Alexander and princess Maxima in the Arena in Amsterdam. And she was responsible for the music production of Faranani, a homage to Nelson Mandela from the Koninklijk Theater Carré in 2002, which was broadcast live in dozens of countries. She has worked wit “Mark Alban Lotz is bringing sexy back into jazz.” "One of the world’s top jazz flute players!" “German-Dutch genius and flute master.” ““This is a musician who makes no compromises.” "In the playing of Alban Lotz we can see extraordinary virtuosity, unlimited imagination and visionary fantasy.“ “The word of the new worlds of sound usually picked up in the context of contemporary music is quite worn out, but with Lotz it is entitled.” "Monomaniacally driven musician.”“ “A big voice in the European Jazz scene.” “Unprecedented phenomenon in the Dutch impro-scene.” “Mark Lotz is more than just a big voice in the European jazz scene. He is at the forefront of jazz, classical and World Music and is obviously enjoying every minute of it!” “One of the most outstanding virtuosos on the flute.” “The capacity of Lotz coming directly to the essence in all the different settings really takes you by suprise.” “With use of electronics, extended techniques and voice, Lotz painted a colorful portrait of intense beauty that reflected his life in jazz, classical and world music.” "One of the most agile experimental jazz instrumentalists.” “Stands out as being one of the best improvising flautists of Europe.” “Taking the past as a starting point Lotz opens a view into the jazz of the future.” “A legend on different flutes.” "This artist and overall creative genius is redefining t
▪ 1989; Finalist with the ‘Albanism Quartet‘ at the Jazz Contest in Karlovy Vary, Slovakia
▪ 1990; Encouragement price of the Middelsee Jazzfestival Competition
▪ 1990; Gijs Hendriks’ ‘Construction Company’
▪ 1991 – 2000; ‘T(w)o-Do’, with bassist Tjitze Vogel “ (Tours in Germany, Belgium, Holland)
▪ 1991 – now; Leader of ‘Lotz Of Music‘ (Tours in Cuba, Holland, Germany)
▪ 1992; ‘Lotz Of Music‘ second price winner of the Middelsee Jazzfestival Contest (with special credits)
▪ 1992; Featured solist with ‘Bons’. A composition by Theo Lovendie for a classical chamber ensemble of 11 instrumentalist and one jazz soloist
▪ 1993 – now; Leader of the ‘The New Mark Lotz Standard Quartet‘ (Tours inn Holland, Belgium, Germany)
▪ 1994; Duo Baird/Lotz with drummer and percussionist Michael Baird
▪ 1995; Realisation of the project ‘noisiVision‘. A multimedia performance in cooperation with the duo ‘T(w)o-Do‘ and artist Elseline van der Graaf and her sculptures.
▪ 1995; With drummer Michael Baird recordings for the ‘Pavilloen – project – De wereld barst van de idealen‘ by artist Marijke Nielen from Utrecht.
▪ 1995; ‘Lotz Of Music‘ recorded the soundtrack for the Rolf Orthel documentary ‘Antartica – A Ticket To Eternity’
▪ 1996; Bass flutist in the Bass Quartet of bassist/composer Tony Overwater
▪ 1996 – 1997; ‘Utrecht Deep Artment‘ – an octet playing contemporary music
▪ 1996 – 2005; ‘Lotz Of Music Cuban Roots Project‘ which later was renamed ‘Shango’s Dance‘. A tentet performing a fusion of Afro Cuban religious folklore with Lotz Of Music. During the years recorded and performed with soloists of Conjunto Folklorico Nacional d singer
multicultural cooperations
Music
All About Jazz (USA)
Los Angeles Jazz Scene Magazine (USA)
WRUV (USA)
CultureJazz (France)
All About Jazz (USA)
Flute Focus (UK)
Longplay (Poland)
Neue Zeitschrift für Musik (Germany)
JazzAndMo (Belgium)
La Traversiere (France)
Draai Om Je Oren (The Netherlands)
Jazz (USA)
Concerto Magazine (Austria)
Vrij Nederland (The Netherlands)
Newsmantra (India)
His Voice Magazine (Czech Republic)
Citizen Jazz (France)
Nieuwsblad v/h Noorden (The Netherlands)
Africa News
Lowflutes.com (Australia)