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  • JEANNIE YNIGUEZ Engages

    Bistro Filipino Book edited by Yolanda Perez Johnson, with Contributor Chef Rolando Laudico

    (Soumak Collections, Inc., Manila, Philippines, 2014)

    [Editor’s Note: Jeannie Yniguez’s Tribute was first presented at the Third Filipino-American International Book Festival, San Francisco, October 2015.]

    Magandang Hapon sa inyong lahat. Good Afternoon to everyone! I am Jeannie Yniguez. 

    I am honored to be here to represent my sister, Yolanda  Perez Johnson, the woman behind the scenes of Soumak Collections whose company mission is to promote the Philippine Arts in the context of the global landscape and to create books on Filipino Artist and Artisans.

    A woman of vision and passion, “Yola,” as she is called, has tremendous respect for rare talent and artistry. She is the editor and publisher of Bistro Filipino Book. From the editor’s notes:

    "Filipino Culture remains food-centered in the sense that Food is an Inspiration for Connection and an assurance of one's social standing. Food on the table is indeed every Home's pride and joy.  Artworks, depicting bounty of fruits, was a typical household fixture during the turn of the century. It was one of the many objects that represented the Filipino's reverence for food, framed by all our notions of Survival, Pleasure and Mere Adoration.”

    We all had an opportunity to meet her in person last year [during the San Francisco book launch of the book. She is, indeed, an extraordinary human being.  She recognized the talent of her son "Chef Rolando Laudico" who is the subject of the Bistro FilipinoBook. It is the first book ever on Filipino Fusion Food and its mission is to promote Filipino Cuisine worldwide.

    "Rolando was to the kitchen Born," Yola says of her son. "He grew up smelling the aromas and flavors and hearing the sound emanating from where I was cooking. The minute he could walk and eat, Rolando can be found t

    Dance review: The magic of ballet and storytelling in 'Lola Basyang'

    The classic children's stories of Severino Reyes set to dance should be enough enticement to watch Ballet Manila's "Tatlo Pang Kuwento ni Lola Basyang," the company's opener for its 18th season.

    The production, a sequel to 2009's "Tatlong Kuwento ni Lola Basyang," uses three stories from Anvil Publishing's version of the Lola Basyang book series: "Labindalawang Masasayang Prinsesa," "Ang Palasyo ng mga Duwende" and "Anting-Anting."

    It is also a glimpse of Ballet Manila artistic director Lisa Macuja-Elizalde's mission of bringing "ballet to the people." Filipinizing ballet, after all, would make it more relatable and engaging for a broader local audience beyond the cultural elite who are the usual patrons of most traditional ballet performances.

    Luz Fernandez as Lola Basyang and Missy Macuja Elizalde as Ate Missy

    Entering Aliw Theater to watch this ballet indeed proved to show just that: the theater was packed with rowdy children and teens from the provinces, so much so that veteran actress Luz Fernandez herself, while enacting Lola Basyang, kept reminding the young audience, with all-motherly mien, to observe silence as part of theater etiquette.

    Fernandez was a most apropos performer for Lola Basyang, as she herself played the iconic grandmother-storyteller role in the '80s TV children's fantasy series “Ora Engkantada.” Her emphatic voice and countenance are endearingly familiar to Pinoy viewers who grew up watching her in the series. She has aged, but still has the wit and charm of a doting grandmother whose passion is to entertain grandkids with stories that are filled with learnings and values.

    The idea of a story within a story also added enchantment to the show.

    Macuja-Elizalde's daughter, Missy Elizalde, played Ate Missy with much ebullience and charm. She sat with three other children at Lola Basyang's feet, listening to her story which was spoken in the ve
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  • Review of Atlantis' GHOST THE MUSICAL: Loving it Ditto

    April 27, 2014


    "Ghost", starring Patrick Swayze, Demi Moore and Whoopi Goldberg, is one of the biggest hit movies of the year 1990. Many people have seen it, many times over for a lot of them. The story of Sam's ghost trying all means to reconnect with his beloved Molly is well-known and well-loved.   It was also nominated for the Oscar for Best Picture that year. Ms. Goldberg won the Oscar for Best Supporting Actress as the wacky psychic Oda Mae Brown. For its 15th Anniversary, Atlantis Productions brings us the first staging of musical version of "Ghost", the first time this show is performed in the Asia Pacific region.

    Sam is played by pop balladeer Christian Bautista. He did not really impress in his previous stage outings. He was a dull Tony in 'West Side Story." He did much better in the vocal aspect in "Rama Hari." Here, Bautista fulfills the physical requirement of the role, and is practically on stage the whole time.  He does well enough in the acting department, though he may be too exaggerated at times. The songs, which have a rock edge, do not fit his pop singing style completely. Thus, despite being the central title character, his female co-stars still outshine him.

    Molly is played by the luminous Ms. Cris Villonco.  This versatile young actress can really do no wrong.  She can fit into any of her diverse stage roles like a glove, be it in English or in Filipino, straight play or drama, period or modern.  This role is no different.  Despite being practically morose and serious the whole play, she can still light up the stage with her presence.  She can make those generic-sounding sappy theatrical ballads sound so special. She is not the titular ghost, but she is ethereal one.  

    Oda Mae Brown is played by the powerhouse Ima Castro.  This must be the very first time I saw Ms. Castro completely right for a role.  When she was Aida or Sarafina (in "Nine"), her voice was beautiful, but her